From the public anthology

Jules Verne · Le Tour du monde en quatre-vingts jours · Chapter 14, paragraphs 1-13

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“The young woman was still in a state of complete prostration.”

The bold abduction had succeeded. An hour after Passepartout was still laughing at his success. Sir Francis Cromarty grasped the hand of the brave fellow. His master said to him, "Good," which in that gentleman's mouth was equivalent to high praise. To which Passepartout replied that all the honor of the affair belonged to his master. As for himself he had only had a "droll" idea, and he laughed in thinking that for a few moments he, Passepartout, the former gymnast, the ex-sergeant of firemen, had been the widower of a charming woman, an old embalmed rajah!

As for the young Indian widow, she had no knowledge of what had passed. Wrapped up in traveling cloaks, she was resting in one of the howdahs.

Meanwhile the elephant, guided with the greatest certainty by the Parsee, moved on rapidly through the still dark forest. One hour after having left the pagoda of Pillaji, he shot across an immense plain. At seven o'clock they halted. The young woman was still in a state of complete prostration. The guide made her drink a few swallows of water and brandy, but the stupefying influence which overwhelmed her continued for some time longer. Sir Francis Cromarty, who knew the effects of intoxication produced by inhalation of the fumes of hemp, had no uneasiness on her account.

But if the restoration of the young woman was not a question in the general's mind, he was not less assured for the future. He did not hesitate to say to Phileas Fogg that if Aouda remained in India, she would inevitably fall again into the hands of her executioners. These fanatics were scattered throughout the entire peninsula, and notwithstanding the English police, they would certainly be able to recapture their victim, whether at Madras, at Bombay, or at Calcutta. And in support of this remark, Sir Francis quoted a fact of the same nature which had recently transpired. According to his view, the young woman would really not be safe until after leaving India. Phileas Fogg replied that he would note these remarks and think them over.

Towards ten o'clock the guide announced the station of Allahabad. The interrupted line of the railway recommenced there, whence trains traverse, in less than a day and a night, the distance separating Allahabad from Calcutta.

Phileas Fogg ought then to arrive in time to take a steamer which would not leave until the next day, October 25, at noon, for Hong Kong.

The young woman was placed in a waiting-room of the station. Passepartout was directed to purchase for her various articles of dress, such as a robe, shawl, furs, etc., whatever he could find. His master opened an unlimited credit for him.

Passepartout went out immediately and ran through the streets of the city. Allahabad, that is, the "City of God," is one of the most venerated of India, on account of its being built at the junction of two sacred rivers, the Ganges and the Jumna, whose waters attract pilgrims from the whole peninsula. It is said also that, according to the legends of the Ramayana, the Ganges takes its source in heaven, whence, thanks to Brahma, it descends upon the earth.

In making his purchases, Passepartout had soon seen the city, at one time defended by a magnificent fort, which has become a State prison. There are no more commerce and no more manufactures in this city, formerly a manufacturing and commercial point. Passepartout, who vainly sought a variety shop, such as there was in Regent street, a few steps off from Farmer & Co., found only at a second-hand dealer's, an old whimsical Jew, the objects which he needed—a dress of Scotch stuff, a large mantle, and a magnificent otter-skin pelisse, for which he did not hesitate to pay seventy-five pounds. Then, quite triumphant, he returned to the station.

Aouda commenced to revive. The influence to which the priests of Pillaji had subjected her, disappeared by degrees, and her beautiful eyes resumed all their Indian softness.