Steeds decked with purple and with tapestry,

With golden harness hanging from their necks,

Champing their yellow bits, all clothed in gold?

Neither master nor mule is improved by such trappings.

9. Marcus Cato the Censor, whose existence helped the state as much as did Scipio’s,—for while Scipio fought against our enemies, Cato fought against our bad morals,—used to ride a donkey, and a donkey, at that, which carried saddle-bags containing the master’s necessaries. O how I should love to see him meet to-day on the road one of our coxcombs, with his outriders and Numidians, and a great cloud of dust before him! Your dandy would no doubt seem refined and well-attended in comparison with Marcus Cato,—your dandy, who, in the midst of all his luxurious paraphernalia, is chiefly concerned whether to turn his hand to the sword or to the hunting-knife. 10. O what a glory to the times in which he lived, for a general who had celebrated a triumph, a censor, and what is most noteworthy of all, a Cato, to be content with a single nag, and with less than a whole nag at that! For part of the animal was preempted by the baggage that hung down on either flank. Would you not therefore prefer Cato’s steed, that single steed, saddle-worn by Cato himself, to the coxcomb’s whole retinue of plump ponies, Spanish cobs, and trotters? 11. I see that there will be no end in dealing with such a theme unless I make an end myself. So I shall now become silent, at least with reference to superfluous things like these; doubtless the man who first called them “hindrances” had a prophetic inkling that they would be the very sort of thing they now are. At present I should like to deliver to you the syllogisms, as yet very few, belonging to our school and bearing upon the question of virtue, which, in our opinion, is sufficient for the happy life.

12. “That which is good makes men good. For example, that which is good in the art of music makes the musician. But chance events do not make a good man; therefore, chance events are not goods.” The Peripatetics reply to this by saying that the premiss is false; that men do not in every case become good by means of that which is good; that in music there is something good, like a flute, a harp, or an organ suited to accompany singing; but that none of these instruments makes the musician. 13. We shall then reply: “You do not understand in what sense we have used the phrase ’that which is good in music.’ For we do not mean that which equips the musician, but that which makes the musician; you, however, are referring to the instruments of the art, and not to the art itself. If, however, anything in the art of music is good, that will in every case make the musician.” 14. And I should like to put this idea still more clearly. We define the good in the art of music in two ways: first, that by which the performance of the musician is assisted, and second, that by which his art is assisted. Now the musical instruments have to do with his performance,—such as flutes and organs and harps; but they do not have to do with the musician’s art itself. For he is an artist even without them; he may perhaps be lacking in the ability to practise his art. But the good in man is not in the same way twofold; for the good of man and the good of life are the same.

15. “That which can fall to the lot of any man, no matter how base or despised he may be, is not a good. But wealth falls to the lot of the pander and the trainer of gladiators; therefore wealth is not a good.” “Another wrong premiss,” they say, “for we notice that goods fall to the lot of the very lowest sort of men, not only in the scholar’s art, but also in the art of healing or in the art of navigating.” 16. These arts, however, make no profession of greatness of soul; they do not rise to any heights nor do they frown upon what fortune may bring. It is virtue that uplifts man and places him superior to what mortals hold dear; virtue neither craves overmuch nor fears to excess that which is called good or that which is called bad. Chelidon, one of Cleopatra’s eunuchs, possessed great wealth; and recently Natalis—a man whose tongue was as shameless as it was dirty, a man whose mouth used to perform the vilest offices—was the heir of many, and also made many his heirs. What then? Was it his money that made him unclean, or did he himself besmirch his money? Money tumbles into the hands of certain men as a shilling tumbles down a sewer. 17. Virtue stands above all such things. It is appraised in coin of its own minting; and it deems none of these random windfalls to be good. But medicine and navigation do not forbid themselves and their followers to marvel at such things. One who is not a good man can nevertheless be a physician, or a pilot, or a scholar,—yes, just as well as he can be a cook! He to whose lot it falls to possess something which is not of a random sort, cannot be called a random sort of man; a person is of the same sort as that which he possesses. 18. A strong-box is worth just what it holds; or rather, it is a mere accessory of that which it holds. Who ever sets any price upon a full purse except the price established by the count of the money deposited therein? This also applies to the owners of great estates: they are only accessories and incidentals to their possessions.

Why, then, is the wise man great? Because he has a great soul. Accordingly, it is true that that which falls to the lot even of the most despicable person is not a good. 19. Thus, I should never regard inactivity as a good; for even the tree-frog and the flea possess this quality. Nor should I regard rest and freedom from trouble as a good; for what is more at leisure than a worm? Do you ask what it is that produces the wise man? That which produces a god. You must grant that the wise man has in an element of godliness, heavenliness, grandeur. The good does not come to every one, nor does it allow any random person to possess it. 20. Behold: